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Areej Almansory
ENGSV

Works

10 projects

  1. Film still: a woman in profile holds a faceted glass form beside a table of glass tower shapes, a jug and a cup, lit against a dark background.

    On Hospitality – Layla Al-Attar and Hotel Al-Rasheed

    01

    Film / Performance · 2024

  2. Gallery visitors stand in front of a long blue and yellow painting covered in handwritten names, places and messages, hung on a white wall.

    Blue and Yellow

    02

    Participatory painting / Installation · 2023–2024

  3. Exhibition view: visitors move through a room where wooden chairs lie broken across a black-and-white checkerboard floor, in front of a large projection of a woman in a black head covering.

    War is not Bread for the Poor

    03

    Video / Performance-based work · 2024

  4. Close-up of two hands pressing wet ochre clay into a black-and-white patterned cloth, the fabric partly absorbed into the clay surface.

    The Truth of the Clay

    04

    Installation / Performance-based work · 2024

  5. Black-and-white photograph: a woman in a headscarf and black polo neck stands against a bright window with her arms crossed; the words “Förtryck” and “Frihet” are written by hand along her forearms.

    Hijab: Between Oppression and Freedom

    05

    Performance / Sound / Conceptual Photography · 2022

  6. A woman holds up two folded paper planes towards the camera; the paper is printed repeatedly with the word “WAR” in Latin and Arabic script, partly obscuring her face behind them.

    Paper Missiles

    06

    Performance / Conceptual Photography · 2022

  7. Detail of a long white textile on a wooden floor, handwritten in Swedish “Liv och befrielse, glädje och hopp” with a line of Arabic script beneath it.

    Between Two Anthems

    07

    Performance / Textile / Writing · 2022

  8. Black-and-white view of a gallery where dismantled wooden chairs stand and lie in front of a wall projection; a projected Swedish line reads “Jag byter Dig … mot allt i … värld” and a figure crouches at the right.

    The Friendliest Country on Earth

    08

    Collaborative performance & installation · 2022

  9. Black-and-white photograph: a lone figure wrapped in a long black cloak stands on a pebble shore facing a calm sea, with a cargo ship on the horizon under an overcast sky.

    Time / Tiden

    09

    Photographic / Conceptual work · 2019/2020

  10. Detail of a collage panel: a torn paper fragment carrying a printed Swedish message, with the sender's name blacked out, laid over a photograph of the artist in a dark veil.

    Public Responses – Collective Voices and Afterlives of an Act

    10

    Collage / Installation · 2019